Fans call him “The African Sting,” critics call him a pro, but it’s his unique and electrifying style of connecting with his audience that titles him what he really is—a true musician. Richard Bona’s seemingly effortless voice, fierce skills on the bass, unique songwriting/arranging expertise and ability to learn just about any instrument simply from watching, position him as a rare African artist to have established an unscalable reputation on an international platform.
Originally from Cameroon, Bona remains true to his roots, with African rhythms reflected in each of his seven albums; the first three, “Scenes from My Life”, “Reverence” and “Munia” display his unique approach to storytelling through sounds. Seeking inspiration from his origins, the themes of Bona’s albums address international issues which mirror his desire of using music to take a stance on issues affecting the oppressed. As an artist with a purpose, he expanded into new musical territories and teamed up with Congolese star, Lokua Kanza and Antillais singer/composer Gerald Toto to create the 2004 collective, “Toto, Bona, Lokua” on which Bona wrote four tracks.